Interactive piece. The closer you get to finding out what Dark Matter is, the more elusive it becomes.
London-based design and materials consultancy MaterialDriven was asked by the Baltic Centre and Ryder Architecture to design and curate a materials display within the framework of a 7.3 meter diameter Pacific Dome, a type of geodesic dome that owes its design to Buckminster Fuller. The display needed to reflect the diversity, heritage and emerging innovation in the North of England through the lens of materials and their makers. At its opening to the public, the dome is clad with the work of more than 50 designers, material-makers and key manufacturers who have ties to Northern England. The framework itself–the modular wood and steel dome–was built by TILT Workshop in Newcastle.
Nested within the exhibition Idea of North is this geodesic dome with its Materials that Shape the North exhibition supported in partnership with Ryder Architecture. This curated display developed by agency MaterialDriven aims to take the visitor through a material journey into northern identity. Today, in a post-industrial future, the North maybe said to be pushing boundaries in new ways. Knowledge and innovation in the realm of materials–both handcrafted and those manufactured at large scale–continues to be pivotal.
From the super-material Graphene to structurally advanced timber substitutes, to atmospherically responsive materials, to sensory, tactile surfaces that encapsulate scent and memory, and to technology that can predict the aging of design and construction materials–all of this, and much more, is emerging here in the North.
Mounted to the exterior and interior of the dome’s structure, from ground to ceiling, are a variety of materials–diverse in form, colour, size, texture and indeed their source. While the facade of the dome displays a grid of visually dramatic materials, those on the inside have a finer grain and encourage visitors to look at them closely, to touch surfaces and investigate them.
This theme ties in with a growing, global realization–that innovative materials and their creators are key enablers to an optimistic future; and that ‘material-makers’ and their products are core to the solutions that best connect us our communities and that may indeed help us shape our future environment. Stratified layers, much like the geological layers of the earth’s crust (which represent distinct ages) became the inspiration for the organization of the dome’s materials display. Spread across five layers–bottom to top– the dome’s materials experience transitions from thick weaves and carpets, to ‘featured’ one-off materials and interactive pieces at its center, to colorful plastics, light steel meshes, and innovative paper, and finally to mirror-like reflective materials and light-responsive inks at its very top. These stratified layers draw from the heritage of the North and the wealth of emerging materials that indeed will dominate its future, but equally, the layers reference a much broader concept being discussed and responded to in the fields of art, science, design and making today–The Anthropocene. The Anthropocene is widely recognized as a new geological age–one that is visualized as a distinct and heavy footprint on the earth–defined and shaped by our industrialization, technological advancement, and rampant consumer culture. Thousands of years from now, our current age–The Anthropocene–will appear to be physically distinct and identifiable, through materials evidence embedded in layers of the earth. With this timely discussion in mind and the past and future of the North at the heart of the exhibit, what better way to make sense of our materials and their evolution than to visualize them in layers that reflect ties to time, region, and to the earth? This curated display aims to take the visitor through a material journey into northern identity and heritage while creating an experience that leaves a lasting impact on all those concerned with the Future of the North.